The first song of Shakib Khan and Mimi Chakraborty-starrer film “Toofan” has officially been unveiled. The track titled “Laage Ura Dhura” was released on Tuesday.
The movie "Toofan" is directed by Raihan Rafi and brought to you by Alpha-i, Chorki and SVF.
The track stars Bangladeshi megastar Shakib Khan and the enthralling Bengali star Mimi Chakraborty, whose electric chemistry and mesmerizing dance moves not only get you grooving but also bring a taste of blockbuster flair to the dance floor.
Their dynamic performances perfectly capture the broad appeal of mainstream cinema.
"Laage Ura Dhura" is performed by the outstanding Pritom Hasan, known for his chart-topping tracks and memorable appearances on Coke Studio Bangladesh, along with Debosrie Antara.
Pritom's contribution goes beyond his singing here, his on-screen presence charms young audiences, solidifying his status as a complete package.
Debutant directors Sagar Ambre and Pushkar Ojha's film offers an adrenaline-fueled ride through the skies. The setup is slow and bumpy, but once the plane is hijacked, the tension mounts quickly.
Despite a predictable storyline, the movie has a fair amount of exciting moments and twists and turns to keep you engaged. And Sidharth Malhotra expertly navigates the highs and lows of a determined soldier caught in the crossfires of duty and suspicion.
The story unfolds with Arun Katyal, a proud son determined to carry on the legacy of his father's (Ronit Roy) special task force, Yodha.
However, after failing at a critical mission, he is on board a hijacked flight under mysterious circumstances. All evidence points to him being on a revenge mission against the system that has taken everything from him.
Is Arun a ‘desh ka dushman,’ or the patriot like his father was? It all unravels in an action-packed thriller at 15,000 feet above the ground.
Sagar Ambre's screenplay keeps viewers engrossed, drawing them into the tense atmosphere of the aircraft, where the majority of the action unfolds.
While the mid-air stunts are thrilling, the film suffers from predictability and clichéd plot twists, lacking depth in exploring themes of courage and patriotism.
However, the film is well-edited, so it stays the course and never feels stretched. There is also subtle humour peppered through the narrative.
There are some heavy-duty dialogues like “Main rahu na rahu, desh rahega," but the lighter moments in the screenplay balance that out.
The music is average, barring Ammy Virk and B Praak's reprised version ‘Qismat Badal Di.’ The background score blends well with the genre.
After the reel-life portrayal of the war hero Vikram Batra in Shershaah, Sidharth returns as commando Arun Katyal in Yodha, showcasing his competence as an action hero.
The movie majorly rests on his shoulders. Raashii Khanna pulls off the part of playing Arun's love interest with ease. Disha Patani plays a pivotal role as an air hostess caught amid the hostage drama.
Tanuj Virwani, another commando of the special task force, makes his presence felt in his limited role. Sunny Hinduja pulls off his role with confidence.
All said, Yodha’s action is thrilling, but it does not really take your imagination to the flight.
In a Doug Liman film, you can count on certain trademarks: epic action set pieces, breakneck pacing, and a central figure who embodies true heroism. 'Road House', drawing inspiration from the 1989 flick starring Patrick Swayze, doesn't hold back on the entertainment factor and remains a fun ride from beginning to end.
This gritty action thriller vividly illustrates the consequences of damaging the hyoid bone, with bone-cracking sounds punctuating the narrative. However, beneath its revenge-driven plot lies a thread of humanity, embodied by a father-daughter duo running a bookstore.
While the story line might seem straightforward and predictable, it's Liman's skillful direction that transforms it into a thoroughly enjoyable cinematic experience.
The plot of 'Road House' centres on Elwood Dalton (Jake Gyllenhaal), a former UFC fighter haunted by a violent incident in which he accidentally killed an opponent during a match. Struggling to move on from his past, Dalton still grapples with the weight of his reputation.
When Frankie (Jessica Williams), the owner of a roadhouse in Glass Keys, offers him a job as a bouncer, Dalton sees it as a chance for redemption. Frankie's primary concern is safeguarding her roadhouse from Ben Brandt (Billy Magnussen), who aims to replace it with a new concrete structure.
Dalton proves himself adept at his new role, but trouble arises when Knox (Conor McGregor), an associate of Ben's incarcerated father, enters the scene, unleashing a wave of violence.
It is evident that the film does not takes itself too seriously, and the screenplay of the film has been updated to resonate with today’s audience while preserving the essence of the original. It stays faithful to the original plot while injecting modern sensibilities.
The fight sequences are expertly choreographed, lending an air of authenticity. Doug Liman demonstrates a keen understanding of the film's premise, despite its simplistic plot. With corrupt cops, drugs, a compassionate doctor, and a nearly super heroic protagonist, the film offers a exhilarating experience.
It's a roller coaster ride that doesn't leave much room for contemplation, with action and music dominating the screen and keeping viewers thoroughly engaged.
The film becomes compelling largely due to the presence of Jake Gyllenhaal. Known for his acting talent, Gyllenhaal seamlessly blends his acting prowess with thrilling action sequences, elevating the excitement level of the film.
Portraying an ex-UFC fighter who maintains a quiet demeanour, he delivers a commendable performance, particularly shining in combat scenes opposite Conor McGregor when he is shirtless.
However, it's Conor McGregor's appearance as Knox in the latter half that nearly steals the spotlight. The UFC champion makes a highly entertaining debut, adding an extra layer of excitement to the film.
'Road House' suffers from mediocre cinematography and subpar lighting, yet its compact plot, gripping action sequences, and a fierce performance by Jake Gyllenhaal compensate for these shortcomings.
It epitomizes the archetype of countless films that flooded theatres in the 80s. Some films, like "Road House," are best enjoyed without overanalysing them.
Their sole purpose is to deliver entertainment in any form, and 'Road House' fulfills this objective admirably. Gyllenhaal's portrayal of a philosophical man adept at hand-to-hand combat is reason enough to give it a watch.
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